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Get your paper done by an expert We are always ready to help with all your assignments. Burr reflects on the moments leading up to the duel, stating that one of them will have to die. Burr and Hamilton walk the requisite ten paces, with Burr firing first, and time freezes as Hamilton reflects on his legacy, before throwing away his shot. Burr shoots him between the ribs and Hamilton eventually dies, mourned upon by Eliza, Angelica, and the rest of the cast.

Burr laments that though he survived, he is cursed to be remembered as the villain who killed Hamilton " The World Was Wide Enough ". The musical closes with a reflection on historical memory. Jefferson and Madison reflect on Hamilton's legacy, as Eliza tells how she keeps Hamilton's legacy alive through interviewing war veterans, getting help from Angelica, raising funds for the Washington Monument, speaking out against slavery, and establishing the first private orphanage in New York City " Who Lives, Who Dies, Who Tells Your Story ".

As the musical ends, Eliza looks in the direction of the audience and lets out a tearful gasp. The Hamilton Mixtape , a collection of remixes , covers , and samples of the musical's songs, was released on December 2, It debuted at number 1 on the Billboard The Hamilton Instrumentals , an instrumental edition of the original Broadway cast recording without the cast's vocals, was released on June 30, In conjunction with the release, the producers of Hamilton announced that they were officially authorizing free sing-along programs for fans, and offering organizers the Hamiltunes name and logo to promote the events.

Miranda announced a new series of 13 Hamilton -related recordings called Hamildrops , releasing once a month from December to December The first release, on December 15, , was "Ben Franklin's Song" by The Decemberists , containing lyrics Miranda wrote during the development of Hamilton for an unused song that was never set to music.

Miranda had long imagined Benjamin Franklin singing in a "Decemberist-y way", and ultimately sent the lyrics to Colin Meloy , who set them to music. The third release, on March 2, , was "The Hamilton Polka" by "Weird Al" Yankovic , a polka medley of some of the songs from the musical.

A fan of Yankovic since childhood, Miranda became friends with him after they tried to develop a musical together. About the origin of the song, Yankovic said, "Lin pitched it to me as a polka medley way more hesitantly than [he] should have. He was like, 'Would you want to do a polka medley?

Miranda said it was "the most perfect 'Weird Al' creative problem solving possible". Miranda said the song was his way "of helping to raise funds and awareness for [the efforts of the students in Parkland, Florida ], and to say Thank You, and that we are with you so let's keep fighting, together". Platt added that he hoped the song could "play some small part in bringing about real change [in gun control laws]".

The song is the first draft written by Miranda of "Burn". Miranda described Eliza's portrayal in the first version of the song as "angrier" and "entirely reactive", while in the final version "she has agency", and explained that "it works as a song but not as a scene". The sixth release, on May 31, , was a cover of "Helpless" by The Regrettes.

The seventh release, on June 18, , was "Boom Goes the Cannon The song, which incorporates a sample of the musical's "Right Hand Man", was one of the last recorded by Havoc and Prodigy , before Prodigy's passing in June Havoc expressed that the release of the record was "a great way to pay homage to [Prodigy] and continue not only Mobb's legacy, but his as well".

Miranda dedicated it to Queensbridge. The song was written by Miranda, along with the rest of the collaborators. The song was released on the one-year anniversary of Hurricane Maria which directly struck Puerto Rico in The tenth release, a rendition of "Theodosia Reprise" by Sara Bareilles , debuted on the eve of Halloween The song, sharing a moment between Aaron Burr and his daughter, was to appear in Act 2 but was cut from the final production.

It was released on November 20, On December 20, , the final song was released. It is based on "One Last Time" with a revamped gospel type of music. The 44 in the title stands for Obama being the 44th president of the United States. After finishing the first few chapters, Miranda began to envision the life of Hamilton as a musical, and researched whether a stage musical of Hamilton's life had been created: all he found was that a play of Hamilton's story had been done on Broadway in , starring George Arliss as Alexander Hamilton.

Miranda began a project titled The Hamilton Mixtape. Instead, he performed the first song from The Hamilton Mixtape , an early version of what would later become "Alexander Hamilton", Hamilton 's opening number. He spent a year after that working on "My Shot", another early number from the show. Although Miranda took some dramatic license in recounting the events of Hamilton's life, both the story and the lyrics in the musical numbers were heavily researched.

Many of the songs included in the show contain lines lifted directly from primary source documents including personal letters and other documents such as The Federalist Papers and the infamous Reynolds Pamphlet. The workshop production was directed by Thomas Kail and musically directed by Alex Lacamoire.

The workshop consisted of the entirety of the first act of the show and three songs from the second act. The workshop was accompanied by Lacamoire on the piano. Of the original workshop cast, only three principal cast members played in the Off-Broadway production: Miranda, Daveed Diggs , and Christopher Jackson.

Directed by Thomas Kail and choreographed by Andy Blankenbuehler , the musical received its world premiere Off-Broadway at The Public Theater , under the supervision of the Public's Artistic Director Oskar Eustis , with previews starting on January 20, , and officially opening on February According to New York Post gossip columnist Michael Riedel, producer Jeffrey Seller wanted to take the show to Broadway before the end of the — season in order to capitalize on public interest in the show and qualify for eligibility for that year's Tony Awards; however, he was overruled by Miranda and Kail, as Miranda wanted more time to work on the show.

The production was critically acclaimed and won 11 Tony Awards. Performances cannot resume until May 31, at the earliest. According to Chris Jones , the success was made possible by the larger number of seats the CIBC Theatre holds and can sell compared with, for example, the show's smaller New York City venue. Plans for a national tour of Hamilton emerged near the end of January The tour was initially announced with over 20 stops, scheduled from through at least Just days after the first U.

The Philip tour began preview performances at the Paramount Theatre in Seattle on February 6, , before officially opening on February 15, The Angelica tour alone requires 14 truckloads of cargo and a core group of over 60 traveling cast, crew, and musicians. Producers announced the formation of a third touring company on November 8, , dubbed the "And Peggy Tour".

The Teatro UPR stage, damaged by 's Hurricane Maria , was repaired in a months-long restoration in anticipation of the show. On December 21, , less than a month away from opening night, negotiations between the show's production and the local faculty and staff union shifted the three-week engagement to the Luis A. This followed weeks of warnings from the union of possible protests outside the theater over budget cuts that the University of Puerto Rico administration was considering that would affect university staff and employees.

Miranda's performance in the Luis A. In a review of the Puerto Rico production, Chris Jones said Miranda's performance demonstrated "deeper on-stage emotions", as well as improved vocal and dance technique than on his original run on Broadway. Jones praised Miranda's "signature warmth" as well as Donald Webber Jr.

A filmed version of "Alexander Hamilton" was created featuring the Puerto Rico production and was shown as the final part of Hamilton: The Exhibition in The San Francisco production is given a separate tab on the show's website from the two traveling North American tours. A new production in Los Angeles was to run from March 12 to November 22, , at the Hollywood Pantages Theatre , but was suspended on the date of its intended debut in response to the coronavirus pandemic.

Cameron Mackintosh produced a London production that re-opened the Victoria Palace Theatre on December 21, , following previews from December 6. It was announced in June that it would not reopen until According to a report in Forbes , Stage Entertainment will license a German-language production to open in at the Operettenhaus in Hamburg. Hamilton had its Australian premiere at Sydney Lyric Theatre , with previews beginning March 17, The production will open in Melbourne at Her Majesty's Theatre on March 16, , one year following the opening in Sydney.

By September , the show was sold out for most of its Broadway engagement. Hamilton , like some other Broadway musicals, offers a ticket lottery before every show. Initially, 21 front-row seats and occasional standing room tickets were offered in each lottery.

Hamilton creator Lin-Manuel Miranda began preparing and hosting outdoor mini-performances shortly before each daily drawing, allowing lottery participants to experience a part of the show even when they did not win tickets. The online theatrical journal HowlRound characterized Ham4Ham as an expression of Miranda's cultural background:.

The philosophy behind this is simple. If the people won't come to the theatre, then take the theatre to the people. While El Teatro Campesino 's 'taking it to the streets' originated from a place of social protest, Ham4Ham does so to create accessibility, tap into social media, and ultimately generate a free, self-functioning marketing campaign. As a result of the Ham4Ham shows, Hamilton ' s lottery drew unusually large crowds of people who created congestion on West 46th Street.

Marilyn Stasio, in her review of the Off-Broadway production for Variety , wrote, "The music is exhilarating, but the lyrics are a big surprise. The sense, as well as the sound of the sung dialogue, has been purposely suited to each character. George Washington, a stately figure in Jackson's dignified performance, sings in polished prose.

In the end, Miranda's impassioned narrative of one man's story becomes the collective narrative of a nation, a nation built by immigrants who occasionally need to be reminded where they came from. In his review of the Off-Broadway production, Jesse Green in New York wrote, "The conflict between independence and interdependence is not just the show's subject but also its method: It brings the complexity of forming a union from disparate constituencies right to your ears.

Few are the theatergoers who will be familiar with all of Miranda's touchstones. I caught the verbal references to Rodgers and Hammerstein , Gilbert and Sullivan , Sondheim , West Side Story , and , but other people had to point out to me the frequent hat-tips to hip-hop Whether it's a watershed, a breakthrough, and a game-changer, as some have been saying, is another matter. Miranda is too savvy and loves his antecedents too much to try to reinvent all the rules at once.

Those duels, by the way—there are three of them—are superbly handled, the highlights of a riveting if at times overbusy staging by the director Thomas Kail and the choreographer Andy Blankenbuehler. Reviewing the Broadway production in The New York Times , Ben Brantley wrote, "I am loath to tell people to mortgage their houses and lease their children to acquire tickets to a hit Broadway show. But Hamilton , directed by Thomas Kail and starring Mr.

Miranda, might just about be worth it. Washington, Jefferson, Madison—they're all here, making war and writing constitutions and debating points of economic structure. So are Aaron Burr and the Marquis de Lafayette. They wear the clothes by Paul Tazewell you might expect them to wear in a traditional costume drama, and the big stage they inhabit has been done up by David Korins to suggest a period-appropriate tavern, where incendiary youth might gather to drink, brawl and plot revolution.

I love it like I love New York, or Broadway when it gets it right. And this is so right. The work's human drama and novelistic density remain astonishing. In an issue of Journal of the Early Republic , Andrew Schocket wrote that while Hamilton makes bold choices to stray away from what he calls the "American Revolution Rebooted" genre, [] it remains "forged in the mold of this genre, and despite its casting and hip-hop delivery, is more representative of it than we might think".

A review in The Economist summed up the response to Hamilton as "near-universal critical acclaim". His body of work is versatile, yet a dynamic and fluid style is consistently evident. When it's time to 'take his shot,' Blankenbuehler hits the bulls-eye. The musical currently holds the record for most Tony Award nominations with 16 nominations though due to multiple nominations in the two 'actor' categories, it could have only won 13 awards. At 11 wins, the musical fell short of one more win to match the record of 12 held by The Producers.

According to an article in The New Yorker , the show is "an achievement of historical and cultural reimagining". The costumes and set reflect the period, with "velvet frock coats and knee britches. The set Miranda said that the portrayal of Hamilton, Thomas Jefferson , George Washington , and other white historical figures by black, Latino and Asian actors should not require any substantial suspension of disbelief by audience members.

The pro-immigration message of Hamilton is at the forefront, as the show revolves around the life of one of the Founding Fathers of the United States, Alexander Hamilton, and how he made his mark in American politics as an immigrant. Instead of being characterized as a white person, Alexander Hamilton's immigrant status is referenced throughout the show, along with the virtue and prowess of Hamilton "by working a lot harder, by being a lot smarter, by being a self-starter", described in the show's opening, and later stating "immigrants, we get the job done" , in order to foster a positive image of immigrants.

Although Hamilton was based on historical events and people, Miranda did use some dramatic license in retelling the story. Here are the most prominent examples:. The show has been critiqued for a simplistic depiction of Hamilton and vilification of Jefferson. Joanne B. Freeman , a history professor at Yale , [] contrasted the show's Hamilton to the "real Hamilton [who] was a mass of contradictions: an immigrant who sometimes distrusted immigrants, a revolutionary who placed a supreme value on law and order, a man who distrusted the rumblings of the masses yet preached his politics to them more frequently and passionately than many of his more democracy-friendly fellows".

Australian historian Shane White found the framing of the show's story "troubling", stating that he and many historian colleagues "would like to imagine that Hamilton is a last convulsion of the founding father mythology".

Rutgers University professor Lyra Monteiro criticized the show's multi-ethnic casting as obscuring a complete lack of identifiable enslaved or free persons of color as characters in the show. In The Baffler , policy analyst Matt Stoller criticized the musical's portrayal of Hamilton as an idealist committed to democratic principles, in contrast to what he characterized as the historical record of Hamilton's reactionary, anti-democratic politics and legacy.

Fifteen historians of early America authored essays on ways the musical both engages with and sometimes misinterprets history. Theatre scholars Meredith Conti and Meron Langsner have both published written analyses of the place of firearms and dueling in the musical. Writer and essayist Ishmael Reed wrote and produced the play The Haunting of Lin-Manuel Miranda , which critiques Hamilton 's historical inaccuracies.

Through a private grant, over the course of the school year, nearly 20, Chicago Public School students got to see a special performance of the show, and some got to perform original songs on stage prior to the show.

The website EducationWorld writes that Hamilton is "being praised for its revitalization of interest in civic education". In , Moraine Valley Community College started a Hamilton appreciation movement, Straight Outta Hamilton, hosting panels and events that talk about the musical itself and relate them to current events. In , the U. It includes an inside look at not only Alexander Hamilton's revolution, but the cultural revolution that permeates the show.

It also has footnotes from Miranda and stories from behind the scenes of the show. Directed by Alex Horwitz, it "delves even deeper into the creation of the show, revealing Miranda's process of absorbing and then adapting Hamilton's epic story into groundbreaking musical theater.

Further fleshing out the story is newly shot footage of the New York production with its original cast, trips to historic locations such as Mount Vernon and Valley Forge with Miranda and other cast members, and a range of interviews with prominent personalities, experts, politicians, and musicians. Hamilton: The Exhibition was an interactive museum, which focused on the history concerning the life of Alexander Hamilton and also the musical.

Alex Lacamoire provided the orchestration for the exhibit in part, a take-off on the Hamilton score , and Lin-Manuel Miranda, actors, and historians provided recorded presentations. To "avoid a disruptive conflict with both the North Coast Musical Festival as well as the beginning of the regular home season of the Chicago Bears, Hamilton: The Exhibition shut down on August 25th, In , Miranda and his father, Luis Miranda Jr.

The location has become a tourist attraction. Following a performance on November 18, , with Vice President-elect Mike Pence in the audience, Brandon Victor Dixon addressed Pence from the stage with a statement jointly written by the cast, show creator Lin-Manuel Miranda and producer Jeffrey Seller. Vice President-elect Pence, we welcome you and we truly thank you for joining us here at Hamilton: An American Musical , we really do. We, sir,—we—are the diverse America who are alarmed and anxious that your new administration will not protect us, our planet, our children, our parents, or defend us and uphold our inalienable rights, sir.

But we truly hope that this show has inspired you to uphold our American values and to work on behalf of all of us. All of us. Again, we truly thank you truly for seeing this show, this wonderful American story told by a diverse group of men and women of different colors, creeds and orientations.

Pence listened to the expression of concern about President-elect Donald Trump 's upcoming administration and later expressed that he was not offended. Jeffrey Seller, the show's lead producer, said that while Trump has not seen Hamilton or inquired about tickets, he is "welcome to attend. In April , Jeb! It parodies Hamilton and other Broadway shows and caricatures various Broadway stars. The episode features a scene where Manny applies for college. To do so he records a parody of "Alexander Hamilton" as part of his application, complete with rewritten lyrics to accompany to his own life.

It is revealed that most of the other applications are also Hamilton parodies. Several stage performances with the original principal cast in the Richard Rodgers Theatre were filmed by RadicalMedia and offered for bidding to major movie studios. On February 10, , Miranda reassured that while a film would be made someday, it would not be made "for years, so that people have ample time to see the stage version first. If I had, I'd have written it as a movie. From Wikipedia, the free encyclopedia.

List of awards. For the Presidential election the song recounts, see United States presidential election. For other songs of the same name, see What Comes Next disambiguation. Miranda explained that it was "more of a scene than a song, the only scene in the [sung-through] show", and he wanted to reserve the impact of "at least one revelation" that could be experienced more fully onstage.

Main article: Hamilton album. Main article: The Hamilton Mixtape. See also: Race-reversed casting and Color-blind casting. Main article: Hamilton film. United States portal Music portal Theatre portal. Time Out New York. Archived from the original on August 11, The Atlantic. Archived from the original on June 7, Hamilton is not, by the common definition, colorblind. It does not merely allow for some of the Founding Fathers to be played by people of color.

It insists that all of them be. Retrieved July 11, The Economist. December 19, Archived from the original on December 17, Retrieved December 12, Near-universal critical acclaim Archived from the original on September 22, The Telegraph.

Archived from the original on February 18, August 25, Archived from the original on August 25, Archived from the original on March 13, The New York Times. Bloomberg Muse. Archived from the original on September 25, Meet the Full Cast of Broadway's Hamilton! Archived from the original on June 19, Retrieved July 4, Archived from the original on January 6, Retrieved January 5, Archived from the original on January 29, Retrieved January 27, Retrieved December 14, Archived from the original on February 26, Retrieved November 15, Archived from the original on November 14, Retrieved April 6, Archived from the original on January 24, Retrieved November 8, Archived from the original on July 7, Retrieved July 6, Retrieved July 20, Retrieved October 17, Retrieved December 11, Archived from the original on October 28, Retrieved October 26, Archived from the original on January 18, Retrieved January 17, Archived from the original on October 20, The Hollywood Reporter.

Retrieved January 29, Entertainment Weekly. Archived from the original on April 7, Archived from the original on December 15, Archived from the original on March 12, Retrieved March 10, Retrieved July 12, Archived from the original on January 10, Retrieved January 9, Archived from the original on March 3, Retrieved March 2, Chicago Tribune.

Broadway World. Archived from the original on October 29, Retrieved October 16, Hamilton: The Revolution. Grand Central Publishing. ISBN Archived from the original on September 21, Retrieved September 22, Retrieved September 25, Archived from the original on September 19, Archived from the original on July 13, Retrieved July 13, November 16, Archived from the original on December 20, Retrieved December 20, Archived from the original on January 9, Retrieved December 8, Archived from the original on September 18, LA Music Blog.

Archived from the original on August 3, Retrieved July 24, The Washington Post. Archived from the original on February 14, The Decemberists. December 14, January 26, Rolling Stone. Huffington Post. Retrieved March 25, Retrieved May 31, Retrieved August 9, Retrieved May 31, — via Twitter. Retrieved May 12, Primera Hora in Spanish. Retrieved September 21, Total Theater, Inc. October 30, Retrieved October 30, Library of Congress.

Retrieved October 24, Retrieved September 23, Retrieved February 18, Did He Like It. New York Post. Retrieved December 5, ISSN Archived from the original on August 9, Download the Revolution! Retrieved June 30, Archived from the original on October 21, Retrieved October 21, Chicago Sun-Times.

Retrieved January 6, Retrieved July 30, Los Angeles: tronc, Inc. Retrieved August 26, San Francisco Chronicle. Archived from the original on December 14, Retrieved December 15, Retrieved February 16, Retrieved January 14, Retrieved November 13, — via Twitter. Retrieved December 22, Retrieved July 8, Retrieved January 13, Hamilton the Exhibition. Retrieved November 13, March 12, London Evening Standard.

Retrieved June 23, Retrieved April 28, Retrieved April 22, Stage Entertainment Deutschland in German. Retrieved November 12, Retrieved March 27, November 8, Retrieved November 22, The Sydney Morning Herald. Retrieved June 7, The Guardian.

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